1829-1912  Related Paintings of william r clark :. | sex ar fore laing utforskade foseph ritchie och g f lyon fezzanomradet dar de besokte staden murzuq i det inre av libyrn. | det var med en kamelkaravan som den ovan ur en medeltida persisk bok som anthony fenkinson 1558 forsokte att ta sig fram till det legendomspunna catha | kapten alexander gordon laing genomkorsade sahara 1825 frantripolis till timbuktu dar han hoppades att kunna knyta handels forbindelser | livingstone halsas av hovdingen i en avlagsen djungelby | horace de saussures expadition var den tredje som besteg mont blancs topp |
Related Artists:
JACOBELLO DEL FIORE
Italian Early Renaissance Painter, 1370-1439
Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
Briton Riviere
(14 August 1840 C 1920) was an Irish artist born in London, England. His father, William Riviere, was for some years drawing-master at Cheltenham College, and afterwards an art teacher at Oxford University. He was educated at Cheltenham College and at Oxford, where he took his degree in 1867. For his art training he was indebted almost entirely to his father, and early in life made for himself a place of importance among the artists of his time. His first pictures appeared at the British Institution, and in 1857 he exhibited three works at the Royal Academy, but it was not until 1863 that he became a regular contributor to the Academy exhibitions. In that year he was represented by "The Eve of the Spanish Armada", and in 1864 by a "Romeo and Juliet". Subjects of this kind did not, however, attract him long, for in 1865 he began, with a picture of a "Sleeping Deer-hound", a series of paintings of animal-subjects which later occupied him almost exclusively.